Geoff Ryman wearing
the Tiptree tiara |
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What happens when all boundaries are crossed,
national, cultural, and individual, when “Air,” an internet-in-your-head
technology, connects people with drastic consequences.
Mae, the book’s heroine, is a rural dressmaker, fashion
consultant, and entrepreneur. Flooded with the memories
of her 90 year old neighbor, she struggles to maintain
her identity against madness. Political machinations and
a flood threaten to overwhelm her country and her village
in “Karzistan.” Mae has to act quickly. The
unusual pregnancy in mid-book is jarring, which challenges
readers’ expectations of what boundaries stories
can push. That level of wrongness dislocates the reader,
to give an analogous experience of the boundary-violations
the characters are experiencing. [LH]
What’s amazing about Air is not just
what it accomplishes but what it avoids. There are many
ways this novel could have gone wrong, and as I read it
for the first time, I was torn between excitement at having
discovered something truly special and fear of the inevitable
false step that would ruin it. But Geoff Ryman never
stumbled.
Air is a smart, moving story about men
and women—especially
women—striving to adapt to a new technology and the
threat and promise of cultural change it brings with it.
Though the issues it dramatizes are all too real, is never
preachy. Its characters are not props in service of a polemic,
but three-dimensional human beings you can believe in and
care about. And while Kizuldah is a fictional village in
an imaginary country, it feels more genuine than many a
third-world literary setting I could name. In short, it’s
fantastic. Read it. [MR]
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