Reviews
Science Fiction Weekly
http://www.scifi.com/sfw/issue90/books.html#fc
"Now that women are well represented in SF, why is there a Tiptree Award at all? Why reprint some of its short-listed stories in one anthology? Because more than 30 years after James Tiptree Jr. "became" Alice Sheldon, gender, gender roles and sexuality are still contested ground. And not just for women; in 1998, the Tiptree organizers changed the description of the award to read 'exploration of male and female gender and gender roles.' In a world where gender equality is still seen as a 'women's issue,' it became necessary to clarify. In fact, the preponderance of intersexed characters in Flying Cups and Saucers would seem to indicate a re-thinking of gender itself, not just gender roles."
-- Nalo Hopkinson
Science Fiction Chronicle
"This is an anthology of short stories that deal with the nature of 'gender,' but from so many viewpoints that the common thread of this theme anthology is a welcome slender one. It's also filled with excellent writing from Ian MacDonald, Ursula K. LeGuin, Graham Joyce, Lisa Tuttle, R. Garcia y Robertson and others--so many good stories that it would be unfair here to single out one or two. Buy yourself a copy and choose your own best; there's a lot of potential choices here, and the book provides plenty of bang for your buck."
-- Don D'Ammassa
Publishers Weekly -- October 26, 1998
Selected for their provocative takes on sexuality, these 13 gender-bending tales of outré amour shock, amuse and call on basic human sympathy. The anthology collects the winners of the (James) Tiptree Award, named for the SF great who, in the mid-1970s, revealed himself to be a she, Alice Sheldon. Represented here twice is Ursula LeGuin, with "The Matter of Seggri" and "Forgiveness Day." The protagonist of the noteworthy latter story experiences "disgenderment" on a new continent where only members fo the upper class ("owners" as opposed to the sub-class of "assets") are referred to as men and women. In James Patrick Kelly's "Chemistry," science has reduced love to mere "neuromance" and emotions are "reproducible brain states." Kelley Eskridge's "And Salome Danced" features Jo/Joe Sand, the ultimate actor who can change gender at will. In L. Timmel DuChamp's witty "Motherhood, Etc.," a 19-year-old, transformed by sex with an alien, ushers in the Age of the Hermaphrodite as government officials stand by, baffled. A fantasy-tinted look at human relationships and identity, this collection, though burdended by a poor choice of title and subtitle, nimbly traces the charting of new territory.